So I have my own project studio so the I have the monitoring system covered (MOTU Ultralite AVB interface, JBL, Genelec, Event monitors, AKG Q701/Sony 7506, ATH-M50x headphones etc.

His hands literally float over the keyboard and it doesn't even look like he is playing the tune, although I know he is! Quite an interesting technique! Maestro1972, your clip sounds just like the demos at least to my ears! Thank you for posting that one! AllanH, I listened to that excellent clip and Dan's playing style is amazing.

Thank you all so much for posting your impressions. Thank you so much in advance for any advice. If so, would you mind sharing your settings? So taking the Eric Griggs demo, for those of you that own the Ravenscroft 275, does it actually sound like this demo?Īlternatively, have any of you been able to tweak say Pianoteq or Ivory American D (or any Ivory piano) to sound like this? So right now American D and Pianoteq Steinway B are my go to for inspirational playing but no matter how much I tweak I can't get that 'stringy, in your face' type sound that I am hearing with the Ravenscroft 275 at least from the demos. I'm using a Roland RD700 and a Roland RD 150 in my studio. Playability is extremely important, mostly repedaling to catch the strings and samples that don't die immediately when lifting off the key. Jazz pianist who likes the bright, Nashville sounding piano but not over the top. Overall there is brightness and definition but it keeps a warm quality at all times even when it’s played fortissimo in any register.Long time lurker first post here. The sustaining sound evolves beautifully over time with several notable ‘blooms’. The bass is deep with a pronounced fundamental, the tenor is pure and rich, and the treble retains clear overtones and can be as bright as you want just in how you play without ever sounding edgy or brittle. And most important for the virtual instrument, tonal possibilities and depth of voicing with the Model 275 Titanium seem limitless. It responds with the agility of a fine sports car. Front and rear tuned duplex scale further adds to the brilliance and sparkle. Sitka spruce from a 1,000 year old tree was used for the soundboard, the action is CAD optimized to be responsive and balanced to precise tolerances, and all string termination points are of solid titanium which contribute to its brilliance and long sustain. The Model 275 Titanium was built to be a concerto piano and have power to sing over a full orchestra but still handle the most delicate passages with ease and clarity.

Ravenscroft 275 gearslutz